Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

1.5.17

OLIVE TREES AND VAN GOGH

My plane jostles and bumps, playing dodge ball between the mounding clouds. Flying low over New York, my vision is diffused; amorphous rectangles, squares, triangle, dots and dashes form abstract patterns distracting my rising queasiness. Threading in and out of the landscape are carefully stitched perimeters, irregular outlines of bushes, trees, rivers, highways and country roads. From my vantage point there is a certain surrealism to the landscape. These are images that remain embedded in one’s mind. 


As our plane slowly descends, my thoughts drift back in time, when again, standing high upon a mountain, had a breathtaking view. 


The limestone Alpilles Mountain range at les Baux-de-Provence dominates as far as the eye can see. The castle of les Baux  was built in the Middle Ages, on one of the most beautiful sites in France.


 The castle, billowing like a royal cloak beneath the rugged mountain range spreading an exquisite design, including a magnificent pattern of shimmering-silver OLIVE TREES.

OLIVE GROVES fascinated van Gogh, Cezanne, Gauguin, continuing with today’s contemporary painter.


What pulls the artist’s eye to these weathered-gray, gnarled, twisted ancient trees; with their contrasting smooth, shiny leaves that change color in the passing breeze, lifting, ruffling to its white downy under side? Texture, color, form, and contour all qualities an artist desires for a successful painting. 


Standing from my high vantage point, soaking in the panorama I am reminded of the SPIRITUALITY and SYMBOLISM the OLIVE TREE has represented throughout generations of time. 

Symbol of Peace and Reconciliation: The story of Noah who released a dove into the sky, only to have it return holding an olive branch in its beak. 
Symbol of Victory: In ancient times the forehead of winners were circled by a crown of olive leaves. 
Symbol of Faithfulness: Friends of Jesus entering Jerusalem strewed the ground with olive branches. 
Symbol of Sacrifice: Passion on the Mount of Olives, Christ’s cross was made of the olive tree. 
Symbol of the Olympics: The torch that lights the way to the opening ceremony touches a cauldron filled with olive wood. 


It is said about the olive tree that it is everlasting; when the trunk dies, vital living shoots spring up regenerating the dying tree. Looking down on the Baux Valley many of the orchards were decimate by a severe freeze in 1956. With time many of these once dead groves regenerated and sprung forth with life. 


Van Gogh produced no less than ten paintings of olive trees when staying in St.-Remy. He believed olive trees were destined to become an important artistic theme. Vincent believed in the power of transformation/regeneration. He saw the olive tree as a powerful metaphor for his own body of work. His own life was transformed-regenerated from art dealer to preacher to ultimately a painter. Like the olive tree, his roots brought forth new branches, he was continually striving to be  born again within his artistic vision. 


We can capture this same metaphor in our own artistic careers, be it painting, writing, music, sculpture, whatever ones passion; we need but let new green shoots spring from withering and unfruitful roots. Our personal transformation-regeneration comes when we use new eyes with which to see; break open our perspective and outlook; slip out of comfort zones taking courageous strides; broaden our learning and open our hearts; and live with vitality and energy. Through our own deep roots we can move from the ordinary to the extra-ordinary. Just as I experienced the transforming panoramic view of the Les Baux Valley and its endless acres of olive groves, we, too, can take the panoramic path of our own unique genius and destiny.


 Olives in a Red Jar

Thank you for allowing me to share some of my thoughts. 
Smiles: Sharon


2.11.16

OOPS I MISSED A HALLOWEEN POST

OOPS I MISSED A HALLOWEEN POST, I sure did.  So I will attempt a 30 minute catch up.  that means mostly photos...throwing in a few family ones for posterity...fewer words...impossible...and no proof reading...that heads this toward disaster.  so here goes.

 it is true...one childhood is not enough...especially for halloween. we saw so many adults dressed up, and i mean dressed up. old to young to youngest, all join the fun. 
anyway this is my little attempt to bring painting into the picture. 


i never got the left side finished, anyway it tells a story of my scariest halloween as a child...story saved for another day. 

i took sooo many photos of our yard and porch, now i can't find them so obviously they are still in the camera and haven't been downloaded...such is life around here. but at least my sketchbook got a touch of ORANGE...i love orange in the fall but other times of the year not so much..orange and black were our junior high school colors and i really disliked them at that age...so juvenile.

 Good ol' harry was soooo popular....every other kid was a character from this fantastic series of books...this red robed harry is our grandson...doesn't he look like harry, or am i prejudiced and below next to the scarecrow is his sister...the littlest was Anna from Frozen...she disappeared (probably to refreshment table) so didn't get a picture.

we are still foraging for leaves, dried berries and acorns...but the pumpkin patch was the real find...we took a car full of tiny to tall, fat to skinny, smooth to lumpy pumpkins home with us. 
 the kids grandparents from "out west"came for a two week stay...what a fun time for everyone...they were a big part of our october excursions...
 somehow i managed to get a bit of painting done with an autumn palette...have a show next week so under a bit of pressure to paint and play around with the fun-sters!

kids and art just go together like cocoa and marshmallows...sweet, fun and sticky.  here we are studiously, painstakingly working on pumpkins from the pumpkin patch. no messing around, this is serious stuff to get it just right.

across the atlantic or pacific depending which way you fly are the kiddos that live in china...this is a serious holiday for the ex-pats who live there and none get into it more than their papa...



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papa is concentrating on carving while YiYi sits in her princess dress amidst the seeds and pulp.  note the type of pumpkin they have....pretty cute. then it is off to the most amazing clay...love the colors.  lots of cute characters made by 12 hands.

back to north carolina,  the kiddos made lunches for some lovely women who find themselves without a home and staying at the salvation army. they were guests of a local church who give them respite, a warm place to sleep, and three meals a day. lots of volunteers are needed for such an undertaking, so our family did lunches and a breakfast. 
bags were decorated...sandwiches made...brownies...chips...and personally chosen tiny candy bars filled them to the top.  we drove them down to the church and met the ladies who are having their most beautiful weeks in a long time.  so friendly and welcoming. we left with new friends.

well if you made it this far, let me just wish you a very giving, creative, loving november.  there is always time to think of another. i know that you are finding your own ways of sharing.
smiles, sharon
ps...30 minutes turned to 60 but it was worth it.

2.3.09

Southern Belles--the Artists' Way

Sarah, kiddies, Howard and I visited an intriguing museum, once a beautiful chateau, majestically over looking the turquoise waters of Lake Geneva. I remember best the sky packed with energy, clouds swiftly casting lavender shadows on the ground below. It was one of those transcendent moments, etched in one's memory. I brought the photo to class, hoping I would be able to recall the beauty of the moment last summer.
(This is the back view from the chateau, looking into the immense estate gardens.)
Charlotte, North Caroline--February 2009
Eighteen eager painters, one teacher (Connie Winters) and workshop organizer (Sharon Schwenk) results in a well planned, fun painting workshop. Host it in Charlotte, North Carolina and you have the added ingredient of SOUTHERN CHARM. My second workshop with Connie was as exciting as the first in 2008. The gracious friendliness of the women still the same. There were about half of the women who attended last year in attendance. It was fun to renew acquaintances.
Connie is a well known, highly respected artist, represented in many top notch galleries through out the states and France. She has a distinctive style, rather like the southern mystique: refined, quiet but with healthy doses of energy, color and sparkle. She is a prolific painter, keeping the galleries filled with beautiful paintings.
We arrive at the Matthews Community Center each morning at 9:00. Everyone is chatting and eager to start the day. Connie, a true professional, starts promptly at 9:30 with her daily demonstration. Working from a photograph she has personally taken in France, she works through her steps "on stage." She is patient and happy to answer the questions, which are numerable. Periodically she stops so that everyone can line up and take a photo. This is always interesting as some of the women with "fancy-nancy" cameras really aren't sure how to use them!!! You have never seen so many lah-de-dah cameras in one room.
This painting is as complete as Connie will make it during the workshop. She completes the painting at home. The women can purchase the workshop demonstration canvases, completed and framed.
Connie has "time proven" steps in constructing a painting. The steps help us be more successful with our own paintings. It is a real treat to have a teacher who knows how to share her style of painting, is patient and wants her students to succeed. This is the last day of the workshop. Sharon is moving paintings around for Connie to critique.
On Friday, after the last demonstration and a delicious lunch provided by Sharon, we clean away all of our painting gear...packed off to our cars. The room suddenly looms vast and empty. Moments ago it had been overly full.
The rest of the afternoon is spent listening to Connie individually critique one canvas each painted by the artist. For me it is an opportunity to look at other's art, see for myself what are the strength and weaknesses, then compare to what Connie has to say. Sharon looks pretty tuckered in this photo. She has such a big responsibility to keep the workshop flowing smoothly, help anyone who needs help and prepare three delicious lunches.
This year there was a couple, Melanie and Tony Alexander who attended the workshop. She is a faux finisher. They have been taking workshops together. I stood next to them. They produced some lovely paintings. The easel to the right of the photo is the "Cadillac" of easels....way over my budget!!
Another view of the classroom. The first day of class, three different floral still life arrangements are set up. The floral arrangements are lit with spotlights. We all juggle around to find the still life we like and a spot to put our easel. My first choice arrangement was too crowded, so this was my second choice. This is my version of the still life. I love the yummy yellow. It is a happy painting.
My easel is next to the women, back to viewer, bending over the table. I was by the outside door and the table where the participants got their paint thinner, paper towels, etc. People were always passing by. A rather "chatty" corner of the room.
Monday, Wednesday and Friday we would line up for a fun lunch. Sharon was once head of the school district's school lunch program, and herself an accomplished cook. The food definitely had a southern sensibility to it. Eating-in was fun because it gave us time to visit with one another.
Here we are eating. Sharon is in the left corner, Connie next to her and Lynda Baddour with the silver hair and glasses is from Chapel Hill. Her husband is the athletic director for the North Carolina University. Hunter and Howard were pretty impressed when I told them who I had met....not that I knew he was so famous! She was one of the ladies who went to the Thai dinner with us on Wednesday evening. (previous blog) Lynda is a newer painter, caught up in the painting fever!
This painting was inspired by a photo in a little village outside of Aix, Provence. Matthew, Sarah, kiddies, Christopher, Howard and I climbed the steep hills, peeking into charming homes and patios, spotting views from the many slate rooftops standing as sentinels over the lower valley. I recall turning a corner, happening upon this little cubby hole of charm
Cezanne's atelier in Aix, Provence is where we spent a few hours, day dreaming inside Cezanne's studio. It stands as it was when he passed away. Props we have seen in so many of his paintings lined the walls, bushy brushes, tattered hat and coat casually tossed on a coat tree, dusty frames, unfinished canvases, bent and spent tubes of paint gently coaxed us into his world. One could feel his life force within the walls.
Outside, the sun was brilliant, the shadows deep and purple casting long fingers on the dirt paths. Tables were filled with visitors and sleepy lazy cats. How could one not want to paint it?